Black-and-white split poster

Pair your original color photo with a simplified black pen story on ivory paper and a solid ink block.

Create one independent high-resolution vertical 2:3 art poster from each supplied source photograph. Process multiple photos in separate runs; never combine them or make a grid. Split the canvas into exactly equal 50% upper and lower halves.
TOP: directly use the corresponding original photograph, preserving sharpness, realism, original colors and lighting. Only intelligently crop peripheral areas proportionally. Never redraw, stretch or blur the subject. Fill the panel edge to edge without black bars or blank borders.
BOTTOM: use near-white warm ivory paper. Analyze the photo's core story and extract exactly one main subject and only one or two necessary identifying elements. Remove or highly simplify background buildings, crowds, vehicles, fences, signs, trees and other nonessential content; when architecture itself is the main subject, retain its recognizable silhouette while simplifying secondary detail. Turn the subject into refined black pen editorial illustration, with natural varied line weight rather than precise etching or excessive internal detail. Behind the subject place one large nearly solid black rectangular ink block, with slightly handmade print edges. Inside the black block retain only subtle paper grain and a few noise specks; no visible hatching, scratches, architectural lines or complex texture. The illustration occupies 72%–77% of canvas width and 58%–64% of the lower half's height, with a clear focus and generous whitespace.
Default to monochrome below. Only if the source has a conspicuous, spatially concentrated color that matters to the story, preserve that color once, sparingly, on the corresponding subject or local region. Ordinary blue sky, green plants, stone, skin and inherent environmental colors do not qualify. Never spread the accent through the whole illustration.
Generate photo-specific English text, all within the lower paper panel: upper left, a two-line title of 2–5 words, followed by three short English verbs; upper right, exactly two lines of latitude and longitude; lower left, CITY NAME + DIARY and one brief English description. Use rustic, upright, slightly irregular handwriting for the title, never elegant script or calligraphy. Use a supplied or reliably identified location; if unknown, use UNKNOWN CITY DIARY and two coordinate placeholder lines instead of inventing a city or coordinates. Reference examples illustrate style only: never copy their city names, coordinates, captions, subjects or signatures. The written rules take priority over example detail and color. Return exactly one finished 2:3 image.

Merged photos, collage grid, unequal split, redrawn or blurred upper subject, stretch, black bars, blank borders, full scene recreation below, dense background, precise etching, excess interior detail, hatching or scratches in the black block, architectural lines or complex block texture, whole-illustration color, ordinary environment colors used as accents, elegant script or calligraphy, extra text, invented city or coordinates, copied example captions, signatures, watermarks.